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Interview: Aïda Muluneh
Travel behind the camera with photographer Aïda Muluneh as she creates new work for Nationhood: Memory and Hope.
Published: February 3, 2025
Ethiopian photographer Aïda Muluneh’s work reveals the overlooked stories, forgotten histories and quiet moments that shape who we are.
Find out more about the exhibition Nationhood: Memory and Hope at Impressions Gallery and the centrepiece of the exhibition The Necessity of Seeing, a major new collection of constructed images by Muluneh.
This short film marks the opening of Nationhood: Memory and Hope, an outstanding collection of new photography celebrating the diversity of the UK in 2025. Curated by Anne McNeill, Director of Bradford’s Impressions Gallery, it opened during the launch weekend of Bradford 2025 – helping to kick off our year as UK City of Culture.
The centrepiece of the exhibition is The Necessity of Seeing, a major new collection of constructed images by Ethiopian photographer Aïda Muluneh. Shot through her surrealist lens at iconic locations in Bradford, Belfast, Cardiff and Glasgow, Muluneh’s new work reveals the overlooked stories, forgotten histories and quiet moments that shape who we are.
First seen on billboards around Bradford in autumn 2024, the exhibition also presents A Portrait of Us, Muluneh’s potent black and white photographs of unsung community heroes from the same four cities.
Nationhood: Memory and Hope is now open at Impressions Gallery. Catch the exhibition until 26 April 2025, after which it will travel to Belfast Exposed, Ffotogallery in Cardiff and Street Level Photoworks in Glasgow, later in the year.
Photograph: (c)Faye Hatton