Drawing on doom metal influences and the timbres of Rylan Gleave’s late-breaking voice, this production features reimagination of church organ for synths and samples, delivering a mammoth sound-world in an electric live iteration.

The band’s second album, Requiem, explores the conditions of transmasculinity and forgiveness through an Anglican lens, with the tracks ‘Lux Aeterna’ and ‘Sequentia’ and ‘In Paradisum’ reimagined live.

Joined by collaborators Neil Charles on bass guitar, Stuart Brown on drums, Simone Seales on cello, Oliver Vibrans on electronics, and Requiem producer Scott McLean on guitar, Gleave leads All Men Unto Me in a new, alternative live direction.

The live show also showcases Tobias Holmbeck’s projected visualisers and Frankie Mulholland’s costume design and makeup artistry.

Genre: Rock/avant garde

This New Music Biennial 2025 event is free, but ticketed. Seating is unallocated and tickets don’t guarantee entry: admission is on a first-come, first-served basis for those with tickets. Please arrive early to avoid disappointment.

This event includes two performances of the same work and a short interview with the creative team in between the two, enabling audiences to experience the second performance with greater insight into the creative process.

New Music Biennial is a three-day festival celebrating the best new music across all genres from the country’s most exciting composers – and in 2025, for the first time, it’s coming to venues around Bradford.